Playing the zither and discussing the Way, admiring paintings and engaging in chess—this refined, scholarly lifestyle of the Song dynasty remains a vision many aspire to and revere. A leisurely, unhurried existence, marked by understated elegance and serene tranquility, seeks to capture the very essence of the Song era’s distinctive aesthetic culture. Interspersed with bold, architecturally conceived massing, we aim to convey its spirit through contemporary architectural language, articulating both poetic charm and rational beauty.

The two rear vestibules link the central landscape zone, creating a shared space that evokes the fluidity of winding paths and a sense of time unfolding at a leisurely pace; upon entering the tea room, one is immediately immersed in an outdoor realm.

As you step inside, the wall on the left tilts at a 15-degree angle. This section serves as an evolving corridor, with recessed light strips that trace the transformative journey of porcelain, while the path itself subtly conveys the infusion of cultural essence. On the opposite side, a suspended, rectilinear volume creates a visual contrast, preserving the space’s sense of openness while delineating distinct functional zones. Together, these elements forge a semi‑private, semi‑open environment that feels both cohesive and inviting.

In ancient times, gatherings of refined scholars and literati were known as “ya ji,” and this space serves as the very heart of the entire complex. To begin with, sheer curtains create a softly diffused partition—both visible and veiled—while access is gained via a side corridor, enhancing one’s sense of place.

Drawing inspiration from the Northern Song painting “Listening to the Qin,” the enclosed form evokes pavilions and kiosks on the water’s surface, while the skylight above underscores the significance of light. A translucent membrane envelops the space, preserving a haven of tranquility amidst the bustling city.

Connected to the tea‑party area, the spot for playing the zither feels all the more relaxed and natural. Black mountain stone and a few branches echo the gentle strains of the instrument, while the tranquil serenity in the corner perfectly echoes the space’s thematic essence. A touch of greenery softens the Eastern aesthetic, weaving a deep appreciation for nature into a life steeped in Zen.

This space is the “Tasting Area.” Compared with the bustling gathering zone where everyone chats freely, it is a more intimate setting for a few close friends to savor tea, play a game of chess, and appreciate antiques and art. The surrounding area remains lush with towering trees, and behind the tea tables, an incomplete circle has been deliberately designed, evoking the philosophical beauty of imperfection.

A waiting area is nestled within the transition to the main space, where an antique lamp burns steadily, inviting visitors to slow down and savor the gentle, soothing ambiance of the tea‑house culture.

The five rooms each correspond to a distinct theme: “Savoring Tea and Discussing the Way,” “Inspired by Painting,” “Brushing Calligraphy,” “Incense Burning in Leisure,” and “Branch‑Breaking and Flower Arrangement.” For instance, the “Incense Burning in Leisure” space is elevated; visitors are asked to remove their shoes and walk barefoot before entering. Throughout, the intention remains to invite guests to slow down and find inner tranquility within this setting.

Wei Yang is an interior designer with 12 years of experience. She founded Shejin Space Design Studio in Hangzhou in 2020. The design team comprises seasoned professionals with expertise in interior spaces, architecture, and soft furnishings, while the management team brings extensive experience in brand positioning, strategic planning, and project management. The studio specializes in personalized, end-to-end design services for interiors, architecture, and branding, covering residential, commercial, office, and small-to-medium-sized hotel and guesthouse projects.

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Image copyright: Shejin Space Design